Critics - Milos Arsic

Plastic world of Redžek's picture, which essentially neutralizes the difference between painting and drawing (because painting is also drawn and drawing is also painted), represents the system of convincing and exciting "marked play". It is always in the sphere of his pictorial, considering the colour as the substance better than the illusion. It is never just a visual illusion of the real, but an allusion to the "uncertainty of the possible," to the supposed reality in which we can doubt or not accept it, but we cannot remain indifferent.

The painter used the legacy of figuration but he adapts it to his own experience of the picture. He seeks the challenge of pictorial in the substance, the light and the rhythm, in the harmony that is sometimes disharmony, in the order of the relation and construction joints but also in its destruction, avoiding the "final solution" to a picture / drawing, transfering it to the order of works that are yet to occur. He forms a circle of the images, and he is in the constant dispute with time and history, with the reality that is relative in some way and with the imagination, which he suggests as a possible reality.

Milos Arsic

(Gallery "Basement", Novi Sad. 16 October to 8 November 2005)