TONAL COUNTERPOINTS AND SYMBOLIC REFERENCES FORM A CONSTELLATION ACROSS THE CHROMATIC BACKGROUNDS ON ROBERTO GUGLIELMINO'S CANVASSES , CREATING ALLEGORIES THAT CAN BECOME SUBSTANCE , ESSENTIALLY THANKS TO A FERVENT AND FERTILE IMAGINATION . SIMILARLY , GUGLIELMINO ARTICULATES AN INNERVATING INJECTION OF CONCEPTUALISM IN HIS MORE RECENT WORKS , WHERE PRESENTING A`N ARRAY OF INTERPRETATIONS OF SIMILAR PIECES , HIS INNATE INSTINCT IS RIGHT THERE IN THE MIDDLE OF THE CREATIVE PROCESS . THOSE WORKS OF THE TURIN ARTIST ARE THE RESULTS OF WHERE THE UNCONSCIOUS AND THE SUBCONSCIOUS MEET ; INSPIRATIONAL ERUPTIONS WHERE THE UNDERLYING MESSAGE MAY BE ACCOMPAINED BY A SPONTANEOUS FIGURATIVE L;EXICON IN WHICH HE MIGHT SOMETIMES RELY MORE ON SYMBOLS , SOMETIMES COLOUR , AND MORE OFTEN THAN NOT THE OBJECT UNDER INVESTIGATION BEING THE CONTEXT OF THE MIND . BUT IT IS UNDOUBTEDLY IN THE COLOURS , IN THEIR TRATMENT , IN THEIR ARRANGEMENT , IN THEIR DILUTION , AS WELL AS IN THEIR RELATIVE JUXTAPOPSITIONS , THAT IT IS APPARENT THAT THERE IS A MAN COMPELLED TO PAINT AND CREATE A CAPTIVATING AND ENGAGING DIALOGUE OF AND WITH THE WORLD SURROUNDING HIM . ENZO NASILLO .