Criticism of the framework "Cala Speranza".

A splendid framework, essential elegance. Presents colours never ostentatious, full of symbolic capacity evocative (if not explicitly symbolic settings). A small piece of painting, seemingly minor, but in fact knower, both for the design and for the technical realization, is represented by the green and brown spots, furrowed tone on tone, which i refer to the ways of the painter Fausto Melotti; able to complete the beauty of the work. Blank spaces create silences, however are full of life and excitement, for the ability to speak the pictorial material, with the most noticed minimal sign language. The plot of the barber wire is okay, frayed, torn, now without dramatic references for the captured security. The image is concentrated in peripheral space of the canvas, but communicates expertly through the symphony of color variations, with the infinite space of the canvas, where the concept of infinite binds to the small hand tightening everything. The initial idea of solidarity becomes, the idea of our relationship with the infinite. The work deals with a speech on trust, love of neighbor, on potential human brotherhood, without however ideological, political or religious allusions, ripping from the heart consciousness to be able to think, in spite of everything, at leastin terms of Philanthropy.