In “Being on the Right Side,” Christine Praneuf orchestrates a powerful reflection on social inequality through an urban narrative suspended between reality and dream. The canvas is configured as a stark opposition between two worlds: while the figures on the left enjoy a sunny and orderly public space, the elongated red silhouette seems to slide toward a blurred margin, symbolizing the fragility of those deprived of security. The title itself underscores this existential dichotomy. The transparent central structure acts as a boundary as clear as it is invisible, highlighting how the “luck” of birth radically determines the perception of space and life itself.