THE POETICS OF THE REAL NEIDIPINTS OF THE MASTER DOMENICO CIALONE  

    A   lucid and conscious extreme reappropriation      in grasping with maximum sensitivity that certain point of light, the exact gradation of the figurative civilization, distinguishes the splendid pictorial narration of the master Domenico of tone, that vibration of the air . This impressionism? therefore Cialone, where it is clearly lyrical. The phenomenality of the impressionist vision of his evocative world. Thus sweetness of tones, compositional harmony and typical of Monet, undergoes a sort of set of fresh touch, emerging passage, through the advancing memory. In the immediacy of pictorial expression, difference n is evident, but the fragrance of emotion yields where nature is interpreted with a viewpoint that moves to the nostalgia of the lost moment. The phenomenal aspect of de is not only visual, but of co-participation abandons an emotional vision that evolves in the dream. Here the landscape, therefore the same reality, appears revealing, through a dreamy, between expanses of dreamlike skies, where the spaces recreated by fervent imagination follow refined symbolic reading that manifests an escape of the thoughts in atavistic dialogue with the essentiality in a suggestion with a softly allusive form in the enchantment of the real. It's the nature. But above all, it affects the quality of a painting that becomes poetry, that comes out of a realism, that in the landscapes of the master naturalistic description to become evasion is evident Domenico Cialone, cu of the spirit. The horizon widens. the harmonious fusion of the tune of thoughts goes beyond the contingent things, while the chromatic contrasts, between the variegated greens of nature, the blue terse, the pearly grays and the daily magic revelation appear blazing reds of the sunsets, where beauty stands out. constant search for soft expressions. colors that translate the liveliness and brilliance of the colors that spontaneously, amid the glow of the night, soften them in the warm light, always in secret and musical oceans of pictorial harmony. fresh atmosphere of and a particular French evocation, Cezanne a Monet Art becomes a universal message of feelings in the rebuilding of images, a mmaginary that s through the poetic de Carla d'Aquino Mine expands in an almost fantastic dimension. The same nature appears in the filtered painting, then re-savored among the precious values ​​of the greens that integrate with lightness the air of a clear and clear blue, which makes clear views, without constraints. I feel a civilization that is born of a breath from French Impressionism and that evolves towards a dreamy setting, while in inner emotions, perspectives dilated by metaphysics, it becomes almost a soul. No forcing, but attention extreme in grasping that certain point of light with the maximum sensitivity that exact pitch of tone, that vibration so Quest, Impressionism? Not exactly. The phenomenality of vision, through the memory that advances. The difference is not obvious, but the fragrance of emotion gives way to nostalgia for the lost moment. The phenomenal aspect of the landscape, therefore, abandons itself to visions of dreamy expanses of dreamlike skies, where the spaces recreated by fervent imagination run through a flight of thoughts in atavistic dialogue with nature. Above all, it affects the quality of a painting that becomes poetry, that is, from the naturalistic description to become an evasion of the spirit. The horizon widens, thoughts go beyond contingent things, while the daily appears revelation in magical beauty in the coast searching for soft color expressions that spontaneously translate, among the glimmers of the night, the secret and musical voices of pictorial harmony. Art becomes a universal message of sentiment

Carla d'Aquino Mineo