In flight between polychromes and Maruska's notes

The astounding world of art and culture offers every day new ideas of creativity that some capture, others materialize, others enhance, and finally others enjoy.

In the case of Maruska Burigo, a world of affabulation that has long revolved around this beautiful girl, it stops on the canvases experienced and polychrome with apparently complex representations, but which immediately envelop in a whirlwind embrace from which it is difficult to get inexperienced.

They are the representation of recondite events, stories, thoughts and relationships between figures sometimes indistinct, but always pregnant in their role. The set scenography, in fact, emanates a narrative where looking for a simplistic sense is practically impossible except with the eyes of the heart. The material meaning of investigating the facts of the present is far from the retro-thought of the artist who releases his creativity in the idyll of the immaterial, of pure thought where everyone is worth for what he truly represents and is represented for what he ought to hold .

In the sphere of stories all this overlapping with scents is able to express even better the concept of a place, the one in which we live, very complex, full of seemingly smoky contradictions, with an uncertain future, but nevertheless within a DRAWING, not understandable, from the normal rationality, but instead punctually placed in the polychrome irrational thought of a few "flying beings" beyond matter.

                                                                                                              (Dario dall'Olio)