The story of Miro starts during the boom years, who saw in art the contrast between mimesis and abstraction. His intuition, in that general upheaval of academic rules, was simple and effective: tie the essentiality form to return to the purity of the line.

I arrived from the town everyday industrial models, which pursued the extreme simplification in industry, and by the work of Arturo Martini, the artist who dreaded "dead language The sculpture", and I tried the antidote in return naivety. 

The great zoomorphic vessels from the hills stretched into space that shaped implants then remain even masterpieces today. 

Gianfranco Schialvino

from Miro Gianola IL MIO CANAVESE